Free Ebook The Darkest Lullaby, by Jonathan Janz
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The Darkest Lullaby, by Jonathan Janz
Free Ebook The Darkest Lullaby, by Jonathan Janz
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The blood of the innocent is the ultimate sacrifice.
The old house waited. For years there had been rumors that the owner, Lilith Martin, had been part of an unholy cult. People spoke of blasphemous rituals, black rites filled with blood, sex…and sacrifices. Then Lilith died and the house sat empty. Until now. Lilith’s nephew, Chris, and his wife, Ellie, are moving in. Ellie isn’t happy about living in such a dark, foreboding place, but she wants to get pregnant and this house has a lot more room to raise a baby than their apartment. Unfortunately, she and Chris will soon learn that Lilith has other plans.
- Sales Rank: #727025 in eBooks
- Published on: 2013-04-02
- Released on: 2013-04-02
- Format: Kindle eBook
Review
"A chilling and creepy tale of the first order....Jonathan Janz knows what frightens you."—Ronald Malfi, author of Floating Staircase on House of Skin
“The Sorrows was well thought out and plotted, written wonderfully, has great characters that are believable and interesting, is sexy in the right places and gruesome where it counts.”—Chris Hedges, The Crypt
“For all lovers of the macabre and readers looking for a dark, sinister literary treat, gather ‘round, fiends, Jonathan Janz has a story to tell you!”’— Dreadful Tales on The Sorrows
About the Author
Jonathan Janz grew up between a dark forest and a graveyard. In a way, that explains everything. So far, he has written two novellas (Old Order and Witching Hour Theatre), several short stories, and two novels. His primary interests are his wonderful wife and his three amazing children, and though he realizes that every author’s wife and children are wonderful and amazing, in this case the clich� happens to be true.
Most helpful customer reviews
15 of 17 people found the following review helpful.
Lots of potential, but too many problems
By Amy R
First of all, the idea of this story is great. It's utterly terrifying. I wanted to like it, and on some level I guess I did, because I finished it, but there were too many strange inconsistencies for it to really feel like a satisfying read. Too many things that pulled me out of the story. Frankly, I can't believe an editor didn't catch some of these issues. This isn't some two-bit publishing house we're talking about here. This is Samhain, and I expected better.
What am I talking about? I'll give some examples (moderate spoilers, but this is all from the first half of the book).
The first morning in their new house, Chris wakes up incredibly early (4:30 am) and goes into town to explore. Just before 7:00, he goes into the grocery store. Now, this is built up to be a tiny town. At one point Chris comments that he hasn't even seen a motel in the town. But they do apparently have a grocery store that's open before 7. I suppose that's possible. Before Chris finishes checking out, he hears a commotion in the parking lot. He runs for the door. Outside, he finds the dog he just picked up on the road (who was waiting in the car) barking at a man standing outside the car. He lets the dog out. He talks to the man. There is no mention of bags of groceries. He has apparently left them in the store. Then he gets in his car and leaves -- without groceries. Yet when he gets home, his wife watches him take bags out of the car and carry them into the house. His hands are so full of groceries that magically appeared in his trunk, she has to open the door for him.
A bit later in the book, Ellie wakes up and freaks out because something is licking her hand. She assumes it's the dog. Of course, rather than looking down to see the dog, she just sits up in bed and screams toward the door for the dog to leave. She actually says to this stray dog who they've only had for a day or two, "I want you to leave this room at once." (I've had my dog for 11 years, and he doesn't respond to sentences like that.) She is surprised to note that she can't hear the dog breathing and can't hear his claws on the hardwood floor, yet she's still positive he's there. Of course, she doesn't LOOK for the dog, which I find very unrealistic. Even if the room is dark, your instinct would be to LOOK. But not here. Instead, she continues to scream at the (non-existent) dog and then at her husband for letting the (non-existent) dog into their room. The horror here -- the fact that she feels something nuzzling her hand -- is one thing, but the characters need to respond in a way that's realistic in order for the moment to have the most impact.
At another point, Ellie wrecks the car. Now, when this happens, I assume it's dark (although a time isn't given) because she talks about only seeing the dog in the road because of her headlights reflecting off of its eyes. After wrecking the car down the road from her house, she walks home. She then has a long conversation with her husband. He has to walk back out to the road (because of course their house is very isolated) and get the car and drive it back, then pick her up and drive her into town to the hospital. She has an emergency room visit (and anybody who's done that knows that it's never fast), and then drives her home. They get home at 8:30 pm. So, assuming that all of that (from the time she wrecked the car to when they get home) would have taken AT LEAST an hour (probably closer to three), and given that the story takes place in late April and early May, how could it have been dark when she wrecked the car?
But wait. It gets better.
After putting her to bed, her husband walks into the woods. He comments that he gets to the clearing just before 11:00, and that it took him just over an hour to get there. Fine. He even thinks about how it will also take him just over an hour to get back home. He then goes further up the trail (further away from home) to a second clearing, where everything fades to black, but there's reason to believe that naughtiness ensues.
Meanwhile, back at the house, his wife wakes up. She looks at the clock and sees that she has been asleep for LESS THAN ONE HOUR. She then hears a noise downstairs. She goes into the basement. She's never been down there, which makes ZERO sense, because they've been living here a while now. Who would move into a house and not check out every inch? Anyway, in the basement, she sees something scary and runs outside. She gets in the car. And suddenly, her husband is back.
Now, based on what the narrator said, a round trip would have taken Chris 2.5-3 hours, and that's assuming he didn't stop to have sex in the clearing (which he did). And yet for his wife, it's been less than an hour.
Huh??
Now, I know it seems like I'm nit-picking. Maybe I am. But these kinds of inconsistencies pull me out of a story. I went back and read that stupid grocery scene three times, trying to figure out if I'd missed something. These types of things are indicative (in my mind) of characters being pushed around like chess pieces in order to serve the plot, without regard for actual human behavior, and they're the kind of thing that should be caught by editors (if not by the author).
The examples given were all in the first 1/3 to 1/2 of the book, but the issues like this go on and on.
I might have rated higher for the story itself -- which was damn scary! -- if it weren't for the ending. Without giving too much away, let me just say, it makes no sense. There's this whole thing with razor blades and a lighter, and it's preposterous to think that these hordes of baddies wouldn't just jump her and take the lighter away. After all, she's completely alone AND has a broken wrist, and there are more than a dozen of them, and it's already been demonstrated that using the lighter on the razor blade isn't instantly fatal.
Oh. And there's the thing with the video tapes -- in and of itself a fairly contrived plot device -- the whole point of which seems to be to prove that a certain character was in love with Chris. But after finishing the book and looking back on that section, it simply made no sense. It was basically the red herring of the story, but in hindsight, WHY would it have been that way? (I know I'm being vague, but I'm trying not to totally spoil the ending.)
And then, after all that, the story ends with a bit of a cliff-hanger which in this case felt more like a cop-out than a literary device.
Honestly, I think this could have been a great book, but to me, it felt more like a first draft than a polished novel.
4 of 4 people found the following review helpful.
Great Book!
By MaryAnn
He's the author who can always make the improbable so scary you'll feel compelled to check the locks on the front door. This chilling novel will haunt you, and make your blood run cold and your heart race with fear.
Jonathan Janz vividly describes and perpetuates. Reading this book is like slipping into the Overlook yourself, as Janz tells the characters' stories through his superb writing and vivid imagination. The pages seem to fly by your eyes without a whim, your brain just sucking up the story like a vacuum, and once you reach the "explosive" end, you may be wishing for more.
Jonathan Janz is a master storyteller.
4 of 4 people found the following review helpful.
Rock-a-bye Scary
By RRJames
This haunting, horrific book will stick with you long after you turn the last page. Through deft prose and illuminating description, Jonathan Janz creates this story of a couple trapped physically and psychically in a farm house in the midst of the forests of rural Indiana. The terrible destiny that unfolds before them will often make you cringe as their lives spin out of control and you feel the couple's terror. DARKEST LULLABY hits every horror high note with perfect pitch.
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