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New York Times bestselling author Tana French is “required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting” (The New York Times). She “inspires cultic devotion in readers” (The New Yorker) and is “the most important crime novelist to emerge in the past 10 years” (Washington Post).
“Atmospheric and unputdownable.” —People
An Amazon Best Book of the Year
In bestselling Tana French’s newest “tour de force” (The New York Times), being on the Murder squad is nothing like Detective Antoinette Conway dreamed it would be. Her partner, Stephen Moran, is the only person who seems glad she’s there. The rest of her working life is a stream of thankless cases, vicious pranks, and harassment. Antoinette is savagely tough, but she’s getting close to the breaking point.
Their new case looks like yet another by-the-numbers lovers’ quarrel gone bad. Aislinn Murray is blond, pretty, groomed to a shine, and dead in her catalogue-perfect living room, next to a table set for a romantic dinner. There’s nothing unusual about her—except that Antoinette’s seen her somewhere before.
And that her death won’t stay in its neat by-numbers box. Other detectives are trying to push Antoinette and Steve into arresting Aislinn’s boyfriend, fast. There’s a shadowy figure at the end of Antoinette's road. Aislinn's friend is hinting that she knew Aislinn was in danger. And everything they find out about Aislinn takes her further from the glossy, passive doll she seemed to be.
Antoinette knows the harassment has turned her paranoid, but she can’t tell just how far gone she is. Is this case another step in the campaign to force her off the squad, or are there darker currents flowing beneath its polished surface?
- Sales Rank: #243514 in Books
- Published on: 2016-10-04
- Released on: 2016-10-04
- Formats: Audiobook, CD, Unabridged
- Original language: English
- Number of items: 18
- Dimensions: 5.90" h x 1.70" w x 5.10" l,
- Running time: 1260 minutes
- Binding: Audio CD
Amazon.com Review
An Amazon Best Book of October 2016: Detectives Steve Moran and Antoinette Conway are now partners on the Murder Squad. They’ve been handed a case that at first looks like every other low-energy domestic they’ve ever been given--but during a routine interview, the murdered woman’s friend drops a clue that leads them to suspect this could be bigger than they had imagined. Much bigger. Contentious squad room politics add to their frustration as the detectives are led in conflicting directions by red herrings, dead ends, and warped perceptions. The Trespasser kept me happily discombobulated, guessing at an ending that I didn’t see coming. And that is what makes Tana French one of the best thriller writers out there. --Seira Wilson, The Amazon Book Review
Review
Praise for Tana French:
To say Tana French is one of the great thriller writers is really too limiting. Rather she s simply this: a truly great writer. Gillian Flynn
French is a poet of mood and a master builder of plots. Maureen Corrigan, "The Washington Post"
One of the most distinct and exciting new voices in crime writing. " The Wall Street Journal
"
French does something fresh with every novel, each one as powerful as the last but in a very different manner. Perhaps she has superpowers of her own? Whatever the source of her gift, it s only growing more miraculous with every book. Laura Miller, Salon.com
Praise for"The Secret Place"
Terrific, terrifying, amazing, and the prose is incandescent. Stephen King
There are echoes of Leopold and Loeb and Donna Tartt s"The Secret History," but the language and landscape are unmistakably French s, as is the way she excavates the past to illuminate the present. " O Magazine
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About the Author
Tana French is also the author of In the Woods, The Likeness, Faithful Place, Broken Harbor and The Secret Place. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
From the Hardcover edition.
Most helpful customer reviews
150 of 158 people found the following review helpful.
A haunting, beautiful masterpiece.
By Ursula J
The worst part of any Tana French novel, for me, is finishing and coming to the sad realization that it will be another couple years before I am able to experience another novel that leaves the same impression on me. In fact, if anyone has any recommendations as to authors who you feel are reminiscent of French's style of writing, pass them on! I have yet to come across one.
The novel is about partners Antoinette and Stephen who are handed a case that appears easy enough to solve - a lover's tiff gone wrong. While that is the basis of the novel, there are actually several different storylines and so many moving parts to this story that you wonder how it will all weave together. French is particularly adept at writing a story that, while having many twists and turns, never comes at you like a punch in the gut. In fact, as developments occur in the novel, a part of you is left wondering how she managed to pull the wool over your eye enough that it was still a surprise, yet not such a surprise that you had to reread the novel to look for clues as to how you missed it. For this reason, there is no other author in my arsenal that I feel even comes close to her skill level as an author.
Another reason that Tana French is so gifted is because she is always able to create the most complex characters. Her characters are so raw, so deep, that you feel as if you know them. You experience every shift in their case with them; you quicken your breath when they quicken theirs; you need a moment to step away from the novel when things don’t go as planned. You want to reach through the book and tell your characters, BE CAREFUL! when you feel they’re taking unnecessary risks. French is an absolute genius at creating these real life characters whose presence in your life becomes bigger than just fiction.
I have to mention that there is a scene towards the end of the book that I read with a quickening breath and my nerves felt fried. It was as if I was there myself and the suspense leading up to the moment absolutely took my breath away. I’ve only ever experienced such emotions during real life cases I was following on the telly, or documentaries, etc.
Please do yourself a favor and read all of Tana French’s books, if you have not already. Don’t start with this one but begin with her first and then continue. The reason being is because while all of them are amazing, her writing style truly develops as she writes and therefore each one becomes better than the last.
I tried to read this book as slowly as I could, to make it last as long as I could, but I never stood a chance. I would like to thank Tana French for the joy of being able to experience yet another novel that left me speechless.
59 of 64 people found the following review helpful.
A must-read for Tana French fans
By switterbug/Betsey Van Horn
What makes Irish writer Tana French so engaging to me is that she combines crime fiction with literary fiction to = mainstream appeal with thematic purpose. I admit, her first two books, IN THE WOODS and The LIKENESS are still my favorites, mainly because of the haunting, elegiac atmospherics that bump up against contemporary issues and pop culture. This one, her latest with Antoinette Conway and Stephen Moran as partnered detectives, concerns a young woman, Aislinn Murray, killed in her apartment, not far from where Conway lives. The new beau, Rory, is a prime suspect.
Conway suspects that if she doesn't solve this one, she is out of the Murder squad. It's her first big case as lead detective, but, for the most part, she has been razzed and dumped on--the only female on the Dublin Murder Squad, and she's also forceful and assertive, something that doesn't go over well with some of the other detectives. She feels that this case could set things right for her. Conway's worries about her job is part of the book's suspense.
As French often does, the question of family and relationships factor in to the motif and the murder case at hand, although at a remove that is handled with care. In the prologue, Conway is remembering how her mother spun quite some yarns about Antoinette’s absent father (an Egyptian prince! A Brazilian guitarist!), so that she never learned the truth about him. This recalled the theme about fathers in THE LIKENESS, and the pain that a daughter suffers in the fallout. In THE TRESPASSER, French explores this, and also casts characters that are willing to mold their lives around the fantasies of others.
Tana Fans (including myself) do not want a review with a blow-by-blow of what happens—the anticipation and coming into it cold bring the warmth to our viscera as the pages turn and we get deeper and more fully into the story. In this, we are thoroughly in Conway’s head, and her thoughts, feelings, and actions are all happening NOW and in the present or immediate past. Usually, it works, but it also has some limiting features, such as weighing it down with exposition. I missed the atmospherics that French has done so well in the past. And there was no opportunity to infer because Conway generally beat me to the punch. Too, we know that Conway is a reliable narrator; she may have a few momentary thinking errors, or doubts, but we are privy to those. The tension, essentially, isn’t commanding. But we care about Conway, and her partnership with Moran, and we come to care about the victim, through other characters.
If you are a Tana French aficionado, this is a must-read. If this is your first visit to the author, go back and read IN THE WOODS, also, for a memorable and eerie murder mystery. THE TRESPASSER may not be French’s best effort, but the provocative theme will register and resonate with anyone who is inclined to live inside the stories of others. The sense of possibility that both salvages and traps you--the frenzy for the story and all its prospects. How hard it is to beat the fantasy, to make yourself into a revision. It's lonely, exciting, impossible, and defining.
4 of 4 people found the following review helpful.
Not as good as 1-5
By VH in PA, CA
Before I am even done reading a Tana French Murder Squad book I am frantically searching for news about the next installment.
The sixth book in the series was such a disappointment. It's impossible to care about Conway. As other readers have said, this book is not so much about the murder in the center of the story but more about the dynamics of the Squad. Even after 464 pages you just don't care about the lead detective. The last few chapters with "the gaffer" O'Kelly saved the book.
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